Tracklist
- Piano Concerto No. 1 in E-Flat Major, S. 124: IIb. Allegro animato III. Allegro marziale animato (Live Recording 1939)
- Keyboard Suite No. 4 in E Minor, HWV 429: IV. Sarabande (Live Recording 1946)
- Pavane & Gaillarde (Live Recording 1948)
- Die Entführung aus dem Serail, K. 384: Act II: "Martern aller Arten…" (Konstanze) (Live Recording 1951)
- Trumpet Concerto: I. Allegro (Live Recording 1955)
- Piano Concerto in A Minor, Op. 54: I. Allegro affetuoso (Live Recording 1957)
- Piano Sonata No. 8 in B-Flat Major, Op. 84: I. Andante dolce – Allegro moderato (Excerpts) (Live Recording 1958)
- Faust: Act III: Récit et Air des Bijoux (Marguerite) (Live Recording 1958)
- Oboe Concerto in D Minor: I. Andante e spiccato II. Adagio III. Presto (Live Recording 1959)
- Flute Concerto: I. Andante cantabile II. Allegro scherzando (Live Recording 1961)
Altri album di Orchestre de la Suisse Romande, Jean Meylan, Ernest Ansermet, Jean-Marie Auberson, Samuel Baud-Bovy, Agathe Jaeggi, Aiyun Huang, Alan Gilbert, Albert Kaiser, Alexei Ogrintchouk, Annette Dasch, Armin Jordan, Arturo Benedetti Michelangeli, Aurèle Nicolet, Balázs Fülei, Christian Zacharias, Doris Rossiaud, Dusan Bogdanovic, Edmond Appia, Elly Ameling, Emmanuel Pahud, Emmanuel Plasson, Evgueni Krouchevsky, Friedrich Gulda, Gilbert Audin, Heinz Holliger, Irina Grafenauer, István Várdai, Janos Fürst, Jean-Bernard Pommier, Jean-Jacques Kantorow, John Axelrod, Jonathan Biggers, Jost Meier, José Van Dam, Juliana Gondek, Katarzyna Jankowska, Katherine Dasch, Kurt Brass, Leonid Ogrintchouk, Lorenzo Soulès, Lotta Larsson, Louis Schwitzgebel-Wang, Martha Argerich, Mathias Aeschbacher, Maurice André, Maurizio Pollini, Michel Becquet, Michel Debost, Michèle Crider, Musikkollegium Winterthur, Myung-Wha Chung, Myung-Whun Chung, Nelson Goerner, New York Vocal Arts Ensemble, Nico Abondolo, Ole Edvard Antonsen, Philippe Entremon
© 2024 All rights reserved. Rockol.com S.r.l. Website image policy
Rockol
- Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
- Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
- Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
- Live photos are published when licensed by photographers whose copyright is quoted.
- Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.
Feedback
Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.