Astrud Gilberto - CTI Records: The Cool Revolution

Ponteio

Era um, era dois, era cem
Era o mundo chegando e ninguém
Que soubesse que eu sou violeiro
Que me desse o amor ou dinheiro

Era um, era dois, era cem
E vieram prá me perguntar:
"Ô você, de onde vai, de onde vem?
Diga logo o que tem pra contar"

Parado no meio do mundo
Senti chegar meu momento
Olhei pro mundo e nem via
Nem sombra, nem sol
Nem vento

Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar

Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar

Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar
Quem me dera agora eu tivesse a viola pra cantar

Quem me dera agora eu tivesse a viola pra cantar



Credits
Writer(s): Jose Carlos Capinan, Eduardo De Goes-lobo
Lyrics powered by www.musixmatch.com
Link

Other Album Tracks

  1. Sugar
  2. Moment's Notice
  3. So What
  4. Autumn Leaves
  5. Speedball
  6. The Intrepid Fox - Live
  7. Ifrane
  8. Free As a Bird
  9. So What
  10. Red Clay

All Album Tracks: CTI Records: The Cool Revolution >

Altri album

  1. Great Women Of Song: Astrud Gilberto
  2. The Girl From Ipanema/Black Orpheus/Agua De Berber (Medley/Live On The Ed Sullivan Show, October 25, 1970)
  3. All By Myself/All Alone (Medley/Live On The Ed Sullivan Show, September 25, 1966) - Single
  4. Work From Home with Astrud Gilberto
  5. Wanting You
  6. Love For Sale
  7. The Girl from Ipanema (Remastered)
  8. Astrud Gilberto His Best Songs
  9. Joao y Astrud Gilberto
  10. The Collection

All Albums of Astrud Gilberto >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.