Johann Sebastian Bach feat. Víkingur Ólafsson - Johann Sebastian Bach

Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude

Lyric not available



Credits
Lyrics powered by musiXmatch
Link

Other Album Tracks

  1. Prelude & Fughetta in G Major, BWV 902: 1. Prelude
  2. Nun freut euch, lieben Christen g'mein, Chorale Prelude BWV 734 (Transcr. Wilhelm Kempff)
  3. Prelude & Fugue in E Minor (Well-Tempered Clavier, Book I, No. 10), BWV 855: 1. Prelude
  4. Prelude & Fugue in E Minor (Well-Tempered Clavier, Book I, No. 10), BWV 855: 2. Fugue
  5. Organ Sonata No. 4, BWV 528: 2. Andante [Adagio] (Transcr. by August Stradal)
  6. Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude
  7. Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 2. Fugue
  8. Nun komm der Heiden Heiland, Chorale Prelude BWV 659 (Transcr. by Ferruccio Busoni)
  9. Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: 1. Prelude
  10. Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: 2. Fugue

All Album Tracks: Johann Sebastian Bach >

Altri album

  1. J.S. Bach: Cantata, BWV 12: Weinen, Klagen, Sorgen, Zagen (Arr. Ólafsson for Piano)
  2. J.S. Bach: Das alte Jahr vergangen ist, BWV 614 (Arr. Kurtág for Piano 4 Hands)
  3. J.S. Bach: Cantata, BWV 150: Nach dir, Herr, verlanget mich (Arr. Ólafsson for Piano)
  4. J.S. Bach: Cantata, BWV 21: Ich hatte viel Bekümmernis (Arr. Ólafsson for Piano)
  5. J.S. Bach: Goldberg Variations, BWV 988: Aria
  6. J.S. Bach: Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág)
  7. Johann Sebastian Bach
  8. J.S. Bach: Prelude & Fugue, BWV 855a, 1. Prelude No. 10 in B Minor (Transcr. by Alexander Siloti)
  9. J.S. Bach: Concerto in D Minor, BWV 974, 2. Adagio

All Albums of Johann Sebastian Bach feat. Víkingur Ólafsson >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.