Freja Kirk - Pussyfied

New Taboos

Ooh-ooh-ooh

I tried to forget your name
Somehow you got stalk
I'm bouncing back Saturday
Maybe can meet up
We can get through the new babe
You're calling my bluff
I'll let you win on a secret pain
I can't get enough

'Cause I need a rush
I need a rush
I need a taste, a taste
A taste, a taste to crush

I'm into New Taboos
That's why I'm into you
Yeah, I like the way you move
And I don't care how you're playing your game
I just need you to call on my name

I know we've got better days
Keep coming at us
So let's slow the pain
So we get to the rush
We'll find the better days
No we ain't giving up
The pleasure is mine
And you know why

I need a rush
I need a rush
I need a taste, a taste
A taste, a taste to crush

Now they're looking at us
They're looking us
Now they want a taste, a taste
A taste, a taste to crush

I'm into New Taboos
That's why I'm into you
Yeah, I like the way you move
And I don't care how you're playing your game
I just need you to call on my name

I know we've got better days
Keep coming at us
So let's slow the pain
So we can get to the rush
We'll find the better days
No we ain't giving up
The pleasure is mine
And you know why



Credits
Writer(s): Alexander Grandjean, Gisli Gislason, Reza Forghani, Freja Kirk, Andreas Lund
Lyrics powered by www.musixmatch.com
Link

Other Album Tracks

  1. Intro
  2. Pussy Gone Wild
  3. Cherry Talk
  4. Young Nights
  5. Interlude
  6. New Taboos
  7. Mirror, Mirror
  8. Fine Things
  9. All For You
  10. Fancy Rocks

All Album Tracks: Pussyfied >

Altri album

  1. Man kan græde oceaner
  2. Hvad skal man kalde én som mig?
  3. Say Goodnight - Single
  4. But I’m Okay - Single
  5. Glassy Eyes (Acoustic) - Single
  6. Glassy Eyes
  7. Sloppy Seconds
  8. Pussyfied
  9. Red Bull Stripped Session
  10. Pussy Gone Wild

All Albums of Freja Kirk >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.