To Death's Heart (In Three Parts)
Didn't hallucinate, it wasn't strange
Inside the lines I drew, been staying in my lane
Wasn't assigned to me, I'm not to blame
Brown bottles of Jameson, grey ashes in a tray I put out
Got cancer, sick
Got on a plane
Visited the Vatican to watch the pontiff wave
And he say, "Benedicite, benedicite, benedicite"
On a long hot Sunday
Got to get out of here, I can't remain
Limbs, they hang like chandeliers from alcohol and age
Down in the weeds again, tough to explain
Mattress soaked in gasoline makes iridescent flames
I lay down
I'll ask my love
What will she say?
What's it like to live with me here every fucking day?
But she states, "Agotante, agotante, agotante"
In her most gentle way
Still think of New York every time
I see your face now, it just feels like another life
I'm up late with an imaginary pain
Always did come in waves
All that's constant is
Constant is
Constant is
That change
Just grab the kids real quick, can't start the car
Fading like a photograph, your taillights in the dark
There's nothing left, no more to tear apart
Agonies are infinite and sympathies just aren't
They run out
I've seen that void, tried not to stare
There's bodies in the Bataclan, there's music in the air
And they sing, "Éphémère, éphémère, éphémère"
And "Wish You Were Here"
Enough blood to fill up this fish bowl
Keep swimming 'round
The exit's blocked, there's nowhere to go
All these same fears, year after year
All the old ones reappear
Only difference is
Difference is
Difference is
You're not here
What I'm wondering is do you believe in God, champ?
I, I believe, that, uh
But you're the champ, right?
Inside the lines I drew, been staying in my lane
Wasn't assigned to me, I'm not to blame
Brown bottles of Jameson, grey ashes in a tray I put out
Got cancer, sick
Got on a plane
Visited the Vatican to watch the pontiff wave
And he say, "Benedicite, benedicite, benedicite"
On a long hot Sunday
Got to get out of here, I can't remain
Limbs, they hang like chandeliers from alcohol and age
Down in the weeds again, tough to explain
Mattress soaked in gasoline makes iridescent flames
I lay down
I'll ask my love
What will she say?
What's it like to live with me here every fucking day?
But she states, "Agotante, agotante, agotante"
In her most gentle way
Still think of New York every time
I see your face now, it just feels like another life
I'm up late with an imaginary pain
Always did come in waves
All that's constant is
Constant is
Constant is
That change
Just grab the kids real quick, can't start the car
Fading like a photograph, your taillights in the dark
There's nothing left, no more to tear apart
Agonies are infinite and sympathies just aren't
They run out
I've seen that void, tried not to stare
There's bodies in the Bataclan, there's music in the air
And they sing, "Éphémère, éphémère, éphémère"
And "Wish You Were Here"
Enough blood to fill up this fish bowl
Keep swimming 'round
The exit's blocked, there's nowhere to go
All these same fears, year after year
All the old ones reappear
Only difference is
Difference is
Difference is
You're not here
What I'm wondering is do you believe in God, champ?
I, I believe, that, uh
But you're the champ, right?
Credits
Writer(s): Conor Oberst, Nathaniel Walcott
Lyrics powered by www.musixmatch.com
Link
Other Album Tracks
- Pageturners Rag
- Dance and Sing
- Just Once in the World
- Mariana Trench
- One and Done
- Pan and Broom
- Stairwell Song
- Persona Non Grata
- Tilt-A-Whirl
- Hot Car in the Sun
All Album Tracks: Down in the Weeds, Where the World Once Was >
Altri album
- Five Dice, All Threes
- Bells and Whistles
- Christmas in Prison (feat. John Prine) - Single
- Pan and Broom (Eve Maret Remix)
- Noise Floor: A Companion
- Cassadaga: A Companion
- The People's Key: A Companion - EP
- Middleman (Companion Version)
- I'm Wide Awake, It's Morning: A Companion
- LIFTED or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion
© 2024 All rights reserved. Rockol.com S.r.l. Website image policy
Rockol
- Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
- Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
- Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
- Live photos are published when licensed by photographers whose copyright is quoted.
- Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.
Feedback
Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.