Museum of Broken Dreams
She appeared on the eve
Of last horizon's centerpiece
A fever dream
To fast compete with tragedy
Daylight Ingenue
Complete our chosen rendezvous
With a dose of protean reality
We asked her for directions
She pointed to the section
Where the crumbling palace
Meets the limit
Of interstate's
Mirage of malice
Staring through the dirty windshield
For any sign of culture
Asphalt reverie, the vulture
Picks through highway littered notions
For gritty reminiscences
Of the 1950's Queen
In the museum of broken dreams
Attendants cut tears out of tattered magazines
No one notices your screams
Behind the walls of forgotten galleries
In the museum of broken dreams
Delusions curated for infinity
Cryptic monuments to infamy
Dismantled for all the world to see
Trumpets stored away as reveille fades
Mourners shuffle like druid princes on parade
The High Priestess waves
Her obscure pamphlet scrawled with eroded samples
Of knowledge gleaned from destiny's arcade
Seductive laughter rises form the rafters
She never gave the lonely traveler
A map to find his way
All these realizations collided
Unfinished stories
Projects layered with dust
Obsolete technology
A horseshoe dissolved by rust
The jester plays the canceled pageant
Invitations signed and mailed
To phony revellers locked in jails
The Queen weaves sophisticated tangents
Through a tome tarnished by allure
Eroded by the lines that weren't pure
Press your hollow skull
To the window of the carnival
A hallowed showcase for your schemes
There's the world as it is
Not the world as you wanted it to be
All the regrets too heavy to carry
All the broken hours, fragmentary
Plans conspired, brash ambitions retired
In the museum of broken dreams
Attendants cut tears out of tattered magazines
No one notices your screams
Behind the walls of forgotten galleries
In the museum of broken dreams
Delusions curated for infinity
Cryptic monuments to infamy
Dismantled for all the world to see
Of last horizon's centerpiece
A fever dream
To fast compete with tragedy
Daylight Ingenue
Complete our chosen rendezvous
With a dose of protean reality
We asked her for directions
She pointed to the section
Where the crumbling palace
Meets the limit
Of interstate's
Mirage of malice
Staring through the dirty windshield
For any sign of culture
Asphalt reverie, the vulture
Picks through highway littered notions
For gritty reminiscences
Of the 1950's Queen
In the museum of broken dreams
Attendants cut tears out of tattered magazines
No one notices your screams
Behind the walls of forgotten galleries
In the museum of broken dreams
Delusions curated for infinity
Cryptic monuments to infamy
Dismantled for all the world to see
Trumpets stored away as reveille fades
Mourners shuffle like druid princes on parade
The High Priestess waves
Her obscure pamphlet scrawled with eroded samples
Of knowledge gleaned from destiny's arcade
Seductive laughter rises form the rafters
She never gave the lonely traveler
A map to find his way
All these realizations collided
Unfinished stories
Projects layered with dust
Obsolete technology
A horseshoe dissolved by rust
The jester plays the canceled pageant
Invitations signed and mailed
To phony revellers locked in jails
The Queen weaves sophisticated tangents
Through a tome tarnished by allure
Eroded by the lines that weren't pure
Press your hollow skull
To the window of the carnival
A hallowed showcase for your schemes
There's the world as it is
Not the world as you wanted it to be
All the regrets too heavy to carry
All the broken hours, fragmentary
Plans conspired, brash ambitions retired
In the museum of broken dreams
Attendants cut tears out of tattered magazines
No one notices your screams
Behind the walls of forgotten galleries
In the museum of broken dreams
Delusions curated for infinity
Cryptic monuments to infamy
Dismantled for all the world to see
Credits
Writer(s): Leonard Gambin
Lyrics powered by www.musixmatch.com
Link
© 2024 All rights reserved. Rockol.com S.r.l. Website image policy
Rockol
- Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
- Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
- Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
- Live photos are published when licensed by photographers whose copyright is quoted.
- Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.
Feedback
Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.