miro
At one point in the early years in Paris when he was feeling extremely discouraged
He was just getting nowhere
And he went to see Picasso, and Picasso said
"Get in line, which turn? Just pretend you're waiting for the subway" (right)
It's inevitable that you will meet a failure or two, or three, or four (right)
At the same time the art itself, the product of that obsession
That obsessive kind of way of working
Is the paradigm for all that is free and spontaneous
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real than reality itself
It's just too difficult, too complex to really describe
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real and reality itself (itself...)
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real than reality itself
It's just too difficult, too complex to really describe
And reality itself (itself...)
He was just getting nowhere
And he went to see Picasso, and Picasso said
"Get in line, which turn? Just pretend you're waiting for the subway" (right)
It's inevitable that you will meet a failure or two, or three, or four (right)
At the same time the art itself, the product of that obsession
That obsessive kind of way of working
Is the paradigm for all that is free and spontaneous
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real than reality itself
It's just too difficult, too complex to really describe
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real and reality itself (itself...)
Surreal, more real than reality itself
A dash of cubism and a dollop of Matisse
Surreal, more real than reality itself
It's just too difficult, too complex to really describe
And reality itself (itself...)
Credits
Writer(s): Jasper Edward Attlee
Lyrics powered by www.musixmatch.com
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