Daskarzine
Well, Daskarzine, she was pretty bland
As she stretched out in the corner of the room
She was, oh, so lazy with her pistol hand
Her hair hung hot off the loom
A red-eyed Chicken felt like stepping in
But his lines lacked their customary cool
Her conversation flowed like treacle from a tin
And Chicken felt like some kind of fool
Oh, yeah, her every move
Is a lesson in street ballet
And they speak her name in cheap hotels
From Turkey to Marseille
Seduction seems to hang in the dressing-room air
But no one knows just who's seducing who
She puts it out in wave after wave
She never seems to miss the slightest cue
Outside in the wings
All the curtain-boys are all cryin' lonely
Their one true love is Daskarzine
And for her, they'd all die slowly
"Oh babe", she says, "We've got to die sometime"
It's the sweetest thing we do
And why not die from month to month
With my touch to help you through? (yeah, yeah, yeah)
Now Chicken left the room feeling angry and cold
Young Stetson looked reluctant and lame
Daskarzine, she's got him neatly pigeonholed
He was just clinging blindly to his name
"Well, I'm Stetson and I ain't so bad", he kept on saying
But his mind was trapped in some kind of cage
But he failed at the ancient art of role-playing
And was fighting to leave the bleeding stage
On the radio, a tenor saxophone
Cries sweet jazz poetry
As it breaks on Daskarzine's facade
Of false serenity
False serenity
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity, false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
It breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
It breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
As she stretched out in the corner of the room
She was, oh, so lazy with her pistol hand
Her hair hung hot off the loom
A red-eyed Chicken felt like stepping in
But his lines lacked their customary cool
Her conversation flowed like treacle from a tin
And Chicken felt like some kind of fool
Oh, yeah, her every move
Is a lesson in street ballet
And they speak her name in cheap hotels
From Turkey to Marseille
Seduction seems to hang in the dressing-room air
But no one knows just who's seducing who
She puts it out in wave after wave
She never seems to miss the slightest cue
Outside in the wings
All the curtain-boys are all cryin' lonely
Their one true love is Daskarzine
And for her, they'd all die slowly
"Oh babe", she says, "We've got to die sometime"
It's the sweetest thing we do
And why not die from month to month
With my touch to help you through? (yeah, yeah, yeah)
Now Chicken left the room feeling angry and cold
Young Stetson looked reluctant and lame
Daskarzine, she's got him neatly pigeonholed
He was just clinging blindly to his name
"Well, I'm Stetson and I ain't so bad", he kept on saying
But his mind was trapped in some kind of cage
But he failed at the ancient art of role-playing
And was fighting to leave the bleeding stage
On the radio, a tenor saxophone
Cries sweet jazz poetry
As it breaks on Daskarzine's facade
Of false serenity
False serenity
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity, false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
It breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
It breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Cries sweet jazz poetry
And it breaks on Daskarzine's facade
Of false serenity
On the radio, a tenor saxophone
Credits
Writer(s): Donald Hugh Walker
Lyrics powered by www.musixmatch.com
Link
Other Album Tracks
Altri album
- 50 Years - The Best Of
- You’ve Got To Move
- The Live Tapes Vol. 5: Live At The Bondi Lifesaver Feb 29, 1980
- Star Hotel (Recorded live at The Bondi Lifesaver, Bondi Junction on February 29, 1980)
- Choirgirl / The Nazz Are Blue (Recorded live at The Bondi Lifesaver, Bondi Junction on February 29, 1980)
- My Turn To Cry / Tomorrow (Recorded Live At The Bondi Lifesaver, Bondi Junction On February 29, 1980)
- Blood Moon
- I Hit The Wall
- Getting the Band Back Together - Single
- The Live Tapes Vol 4: The Last Stand of the Sydney Entertainment Centre, December 17 and 18, 2015
© 2024 All rights reserved. Rockol.com S.r.l. Website image policy
Rockol
- Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
- Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
- Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
- Live photos are published when licensed by photographers whose copyright is quoted.
- Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.
Feedback
Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.