Salvatore Cordella, Italian International Orchestra, Luca Grassi, Jeong-Won Lee, Pietro Naviglio, Francesca Scaini, Annalisa Carbonara, Bratislava Chamber Choir, Manlio Benzi, Volodymyr Deyneka, Anna Lucia Alessio & Jean Vendassi - Gounod: La Reine de Saba (Festival della Valle d'Itria di Martina Franca, 2001)

La Reine de Saba (The Queen of Sheba), Act I, Scene 2: Comme la Naissante Aurore (Benoni, Adoniram)

Lyric not available



Credits
Unfortunately we're not authorized to show these lyrics.
Link

Other Album Tracks

  1. La Reine de Saba (The Queen of Sheba): Introduction
  2. La Reine de Saba (The Queen of Sheba), Act I, Scene 1: Que Cette Main Vous Donne l'etre (Adoniram) - Scene 2: Salut Et Longs Jours a Mon Maitre! (Benoni, Adoniram)
  3. La Reine de Saba (The Queen of Sheba), Act I, Scene 2: Comme la Naissante Aurore (Benoni, Adoniram)
  4. La Reine de Saba (The Queen of Sheba), Act I, Scene 3: Maitre! (Phanor, Amrou, Methousael, Adoniram) - Scene 5: Il Nous Repousse! (Methousael, Phanor, Amrou)
  5. La Reine de Saba (The Queen of Sheba), Act I, Scene 6: Gloire a Toi, Divine Princesse (People)
  6. La Reine de Saba (The Queen of Sheba), Act I, Scene 6: Le Monde a Retenti Du Bruit (Balkis, Soliman, Adoniram, People)
  7. La Reine de Saba (The Queen of Sheba), Act II: Faiblesse de la Race Humaine! (Adoniram)
  8. La Reine de Saba (The Queen of Sheba), Act II, Scene 1: Maitre, Tout Est Pret! (Workers, Adoniram, Slaves)
  9. La Reine de Saba (The Queen of Sheba), Act II, Scene 2: De Votre Divine Presence (Adoniram, Balkis, Soliman, Workers, Sadoc, Benoni, Amrou, Phanor, Methousael, People)
  10. La Reine de Saba (The Queen of Sheba), Act III, Scene 1: Deja l'aube Matinale (Chorus) - Scene 2: Que Dieu Vous Accompagne (Jewish Girls, Girls from Sheba)

All Album Tracks: Gounod: La Reine de Saba (Festival della Valle d'Itria di Martina Franca, 2001) >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.