Jussi Björling - The 50 Most Essential Opera Classics

Rigoletto, Act 3: "La donna è mobile"

Ack, som ett fjun så lätt är varje kvinna
Fåfängt att finna en som sin tro bestod
Än uti leendet, än uti tåren
Skönjes ju spåren av hennes vankelmod

Lätt som en fjäder är varje kvinna
Fåfängt en enda sin tro bestod
Sin tro bestod
Ja, sin tro bestod

Lätt den bedrages, som tror hennes tycken
Då hon för nycken söker blott tidsfördriv
Men fast hon växlar om i kärleksruset
Hon ändå ljuset sprider i mannens liv

Lätt som en fjäder är varje kvinna
Fåfängt en enda sin tro bestod
Sin tro bestod
Ja, tro bestod



Credits
Writer(s): Giuseppe Verdi
Lyrics powered by www.musixmatch.com
Link

Other Album Tracks

  1. Les pêcheurs de perles (The Pearl Fishers), Act 1: "Au fond du temple saint"
  2. Turandot, Act 1: "Signore, ascolta"
  3. Turandot, Act 3: "Nessun dorma"
  4. Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina's Cavatina)
  5. Il barbiere di Siviglia (The Barber of Seville), Act 1: "Largo al factotum"
  6. La traviata, Act 1: "Libiamo, ne' lieti calici" (Brindisi)
  7. Rigoletto, Act 1: "Questa o quella"
  8. Rigoletto, Act 3: "La donna è mobile"
  9. Gianni Schicchi: "O mio babbino caro"
  10. Die Zauberflöte (The Magic Flute), K. 620, Act 1: "Der Vogelfänger bin ich ja" (Birdcatcher's Aria)

All Album Tracks: The 50 Most Essential Opera Classics >

Altri album

  1. The Incomparable Jussi Björling
  2. Bröderna Gösta och Jussi Björling sjunger Jules Sylvain
  3. Swedish Tenor Legend
  4. Jussi Björling in Concert
  5. The Early Swedish Recordings
  6. Sverige, Tonerna : Jussi Björling Sjunger Svenska Sånger
  7. Jussi Björling at Carnegie Hall, New York City, March 2, 1958
  8. Opera Arias [1951 - 1957]
  9. Jussi Björling: Tenor
  10. Jussi Björling Recital (Live 1959)

All Albums of Jussi Björling >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.