R.E.M. - Document - 25th Anniversary Edition

Finest Worksong - Live

The time to rise has been engaged
You're better best to rearrange
I'm talking here to me alone
I listen to the finest worksong

Your finest hour
Your finest hour

Another chance has been engaged
To throw Thoreau and rearrange
You are following this time
I beg you not beg to rhyme

Your finest hour
Your finest hour

Take your instinct by the reins
Better best to rearrange
What we want and what we need
Has been confused, been confused

Your finest hour
Your finest hour

Take your instinct by the reins
Better best to rearrange
What we want and what we need
Has been confused, been confused

Your finest hour
Your finest hour

Your finest hour
Your finest hour



Credits
Writer(s): Peter Lawrence Buck, Michael E. Mills, John Michael Stipe, William Thomas Berry
Lyrics powered by www.musixmatch.com
Link

Other Album Tracks

  1. Finest Worksong - Remastered
  2. Welcome To The Occupation - Remastered
  3. Exhuming McCarthy - Remastered
  4. Disturbance At The Heron House - Remastered
  5. Strange - Remastered
  6. It's The End Of The World As We Know It (And I Feel Fine) - Remastered
  7. The One I Love - Remastered 2012
  8. Fireplace - Remastered
  9. Lightnin' Hopkins - Remastered
  10. King Of Birds - Remastered

All Album Tracks: Document - 25th Anniversary Edition >

Altri album

  1. We Are Hope Despite The Times
  2. R.E.M. - Live from the Pyramid Stage, Glastonbury Festival, June 25, 1999
  3. R.E.M.'s Top Forty Playlist (according to Berry, Buck, Mills and Stipe)
  4. Up (25th Anniversary Edition)
  5. The Apologist (Live At The Palace / 1999)
  6. Losing My Religion (Live At The Palace / 1999)
  7. Daysleeper (Live At The Palace / 1999)
  8. Strange Currencies - Single
  9. Pale Blue Eyes - Live American Radio Broadcast
  10. New Adventures In Hi-Fi (25th Anniversary Edition)

All Albums of R.E.M. >

© 2024 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.