Back In N.Y.C.
i see faces and traces of home back in new york city
so you think i'm a tough kid is that what you heard?
well, i like to see some action, and it gets into my blood
well, they let me out of pontiac when i was just seventeen
i had to get it out of me if you know what i mean, what i mean.
they say i must be crazy, cause i don't care who i hit, who i hit.
cause i know it's me that's hitting out and i'm not full of shit.
down by my bottle, filled up high with gasoline
you can tell by the night fires where a rail has been, has been
as I cuddled the porcupine he said i had none to blame but me
held my heart, deep in hell, time to shave, shave it off, it off
no time for romantic escape and your fluffy heart is ready for rape
no, no time for romantic escape and your fluffy heart is ready for rape
off we go.
off we go.
off we go.
you're sitting in your comfort, you don't believe i'm real
you cannot buy protection for the way that i feel
your progressive hypocrites hand out their trash
it was mine in the first place so i'll burn it to ash.
when i've taken all the strongest meats
and laid them down in coloured sheets
laid them down in colored sheets
well, who needs illusions,
of love and affection when you're out walking in the streets,
your mainline connection
connection
as i cuddled the porcupine he said i had none to blame but me
held my heart deep in hell time to shave, shave it off, it off.
no time for romantic escape and your fluffy heart is ready for rape.
no. no time for romantic escape and your fluffy heart is ready for rape.
no. no time for romantic escape and your fluffy heart is ready for rape.
no time.
back in new york city.
so you think i'm a tough kid is that what you heard?
well, i like to see some action, and it gets into my blood
well, they let me out of pontiac when i was just seventeen
i had to get it out of me if you know what i mean, what i mean.
they say i must be crazy, cause i don't care who i hit, who i hit.
cause i know it's me that's hitting out and i'm not full of shit.
down by my bottle, filled up high with gasoline
you can tell by the night fires where a rail has been, has been
as I cuddled the porcupine he said i had none to blame but me
held my heart, deep in hell, time to shave, shave it off, it off
no time for romantic escape and your fluffy heart is ready for rape
no, no time for romantic escape and your fluffy heart is ready for rape
off we go.
off we go.
off we go.
you're sitting in your comfort, you don't believe i'm real
you cannot buy protection for the way that i feel
your progressive hypocrites hand out their trash
it was mine in the first place so i'll burn it to ash.
when i've taken all the strongest meats
and laid them down in coloured sheets
laid them down in colored sheets
well, who needs illusions,
of love and affection when you're out walking in the streets,
your mainline connection
connection
as i cuddled the porcupine he said i had none to blame but me
held my heart deep in hell time to shave, shave it off, it off.
no time for romantic escape and your fluffy heart is ready for rape.
no. no time for romantic escape and your fluffy heart is ready for rape.
no. no time for romantic escape and your fluffy heart is ready for rape.
no time.
back in new york city.
Credits
Writer(s): Phil Collins, Michael Rutherford, Steve Hackett, Peter Gabriel, Anthony Banks
Lyrics powered by www.musixmatch.com
Link
Other Album Tracks
Altri album
- For The Rain To Gather (Live, Santa Cruz 1994)
- Sky Blue Skin (Demo - September 13, 1996)
- Live at Columbia Records Radio Hour
- Live at Wetlands, New York, NY 8/16/94
- Live... Jeff Buckley (Remastered)
- You and I (Extended Edition)
- You and I (Expanded Edition)
- Live on Air - Volume 1
- The Eclectic Sessions (Remastered, Live On Broadcasting)
- The Rooftop Cafe, Melbourne, Australia, August 31st, 1995 (Remastered, Live On Broadcasting) [Bonus Track Version]
© 2024 All rights reserved. Rockol.com S.r.l. Website image policy
Rockol
- Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
- Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
- Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
- Live photos are published when licensed by photographers whose copyright is quoted.
- Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.
Feedback
Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.