The Matthew Herbert Big Band - The Process, the Parts, the Many and the Few

The Many and the Few (Piano Version)

Diana Ross and the Supremes
Miscellaneous
The Beginning of the End
Tender words of love that once came easy
Now seem strained and insincere
Could this be the beginning,
The beginning of the end?
Yeah

You don't tell me that you love me
And your kisses seem untrue
Could this be the beginning,
The beginning of the end?
(Yeah) Yeah (yeah)

My heart, oh, my love, my everything
Has always been just for you
Now, I'm afraid every day, each and every day
This coldness I find
Is only in my mind, mind, mind

Now, you swear you still love me
I no longer feel you need me now
Could this be the beginning,
Be this the beginning of the end?
(Yeah yeah)

The beginning,
The beginning of the end
(fade out)



Credits
Writer(s): Jamie Lidell, Matthew Herbert, Peter James Michael Wraight
Lyrics powered by www.musixmatch.com
Link

Other Album Tracks

  1. The Many and the Few (Piano Version)
  2. The Many and the Few (Working Version)
  3. The Many and the Few (Abbey Road Version)
  4. The Many and the Few
  5. Café De Flore
  6. Forgotten Bars of Fiction
  7. Fiction (Music Stand Mix)
  8. Everything's Changed (Half-time)
  9. Everything's Changed (Half-time Down An Octave)
  10. Turning Pages (Piano Version)

All Album Tracks: The Process, the Parts, the Many and the Few >

Altri album

  1. You’re Welcome Here (Brexit Edition)
  2. The State Between Us
  3. There's Me And There's You
  4. There's Me and There's You (Bonus Track Version)
  5. Goodbye Swingtime
  6. The Process, the Parts, the Many and the Few

All Albums of The Matthew Herbert Big Band >

© 2025 All rights reserved. Rockol.com S.r.l. Website image policy

Rockol

  • Rockol only uses images and photos made available for promotional purposes (“for press use”) by record companies, artist managements and p.r. agencies.
  • Said images are used to exert a right to report and a finality of the criticism, in a degraded mode compliant to copyright laws, and exclusively inclosed in our own informative content.
  • Only non-exclusive images addressed to newspaper use and, in general, copyright-free are accepted.
  • Live photos are published when licensed by photographers whose copyright is quoted.
  • Rockol is available to pay the right holder a fair fee should a published image’s author be unknown at the time of publishing.

Feedback

Please immediately report the presence of images possibly not compliant with the above cases so as to quickly verify an improper use: where confirmed, we would immediately proceed to their removal.